CSA ISO/IEC 13818-7 : 2006 : INC : COR 1 : 2010
Superseded
A superseded Standard is one, which is fully replaced by another Standard, which is a new edition of the same Standard.
View Superseded by
INFORMATION TECHNOLOGY - GENERIC CODING OF MOVING PICTURES AND ASSOCIATED AUDIO INFORMATION - PART 7: ADVANCED AUDIO CODING (AAC)
Hardcopy , PDF
11-08-2021
English
01-01-2016
Foreword
Introduction
1 Scope
2 Normative References
3 Terms and Definitions
4 Symbols and Abbreviations
5 Method of Describing Bitstream Syntax
6 Syntax
7 Profiles and Profile Interoperability
8 Overall Data Structure
9 Noiseless Coding
10 Quantization
11 Scalefactors
12 Joint Coding
13 Prediction
14 Temporal Noise Shaping (TNS)
15 Filterbank and Block Switching
16 Gain Control
Annex A (normative) - Huffman Codebook Tables
Annex B (informative) - Information on Unused Codebooks
Annex C (informative) - Encoder
Annex D (informative) - Patent Holders
Annex E (informative) - Registration Procedure
Annex F (informative) - Registration Application Form
Annex G (informative) - Registration Authority
Bibliography
Specifies the MPEG-2 audio non-backwards compatible standard called MPEG-2 Advanced Audio Coding, AAC, a higher quality multichannel standard than achievable while requiring MPEG-1 backwards compatibility.
DevelopmentNote |
Amendment 1 is available separately, see CSA ISO/IEC 13818-7A. (10/2008)
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DocumentType |
Standard
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Pages |
220
|
ProductNote |
Reconfirmed EN
|
PublisherName |
Canadian Standards Association
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Status |
Superseded
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SupersededBy | |
Supersedes |
Standards | Relationship |
ISO/IEC 13818-7:2006 | Identical |
ISO/IEC 13818-1:2015 | Information technology Generic coding of moving pictures and associated audio information Part 1: Systems |
ISO/IEC 14496-3:2009 | Information technology Coding of audio-visual objects Part 3: Audio |
ISO/IEC 23003-1:2007 | Information technology — MPEG audio technologies — Part 1: MPEG Surround |
ISO/IEC 13818-3:1998 | Information technology Generic coding of moving pictures and associated audio information Part 3: Audio |
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