I.S. EN 61835:1999
Current
The latest, up-to-date edition.
HELICAN-SCAN DIGITAL COMPONENT VIDEO CASSETTE RECORDING SYSTEM USING 12.65 MM (0.5 IN) MAGNETIC TAPE - FORMAT D-5
Hardcopy , PDF
English
01-01-1999
For Harmonized Standards, check the EU site to confirm that the Standard is cited in the Official Journal.
Only cited Standards give presumption of conformance to New Approach Directives/Regulations.
Dates of withdrawal of national standards are available from NSAI.
FOREWORD
INTRODUCTION
1 General
1.1 Scope
1.2 Normative references
1.3 Definitions, symbols and abbreviations
1.4 Environment and test conditions
1.5 Reference tape
1.6 Calibration tape
1.6.1 Record locations and dimensions
1.6.2 Calibration signals
1.6.3 Purchase
2 Video tape cassette
2.1 Mechanical parametres
2.1.1 Cassette dimensions
2.1.2 Identification of cassettes
2.1.3 Tape length, thickness and play time
2.1.4 Coating face
2.1.5 Datum planes
2.1.6 Window and labels
2.1.7 Identification holes
2.1.8 Leader/trailer tape
2.1.9 Reels
2.1.10 Lid
2.2 Video tape specification
2.2.1 Base
2.2.2 Width
2.2.3 Width fluctuation
2.2.4 Tape thickness
2.2.5 Transmissivity
2.2.6 Offset yield strength
2.2.7 Magnetic coating
2.2.8 Coating coercivity
2.2.9 Particle orientation
3 Helical recordings
3.1 Tape speed
3.2 Record location and dimensions
3.2.1 Erasure
3.2.2 Record location and dimensions
3.2.3 Reference edge
3.2.4 Track pitch
3.2.5 Flying erasure
3.3 Helical track record tolerance zones
3.4 Relative positions of recorded information
3.4.1 Relative positions of the longitudinal tracks
3.4.2 Programme area reference point
3.5 Gap azimuth
3.5.1 Cue track, control track, time and control code track
3.5.2 Helical track
3.6 Transport and scanner
4 Programme track data arrangement
4.1 Introduction
4.2 Labeling convention
4.3 Sector details
4.3.1 Sync block
4.3.2 Sync pattern
4.3.3 Identification pattern
4.3.4 Data field
4.3.5 Sector preamble
4.3.6 Sector postamble (P)
4.4 Edit gaps
4.5 Channel coding
4.5.1 Coding rules
4.5.2 Data rate and wavelength
4.6 Magnetization
4.6.1 Polarity
4.6.2 Recorded equalization
4.6.3 Record level
5 Video interface
6 Audio interface
6.1 Encoding parameters
6.1.1 Sampling
6.1.2 Reference level
6.2 Digital signal interface
7 Video processing
7.1 Introduction
7.2 Recorded data
7.2.1 Recorded samples and lines of the television frame
7.2.2 Non-recorded data
7.2.3 Source precoding
7.3 Luminance separation and video reserve data
7.4 Channel and video block distribution
7.5 10/8 bit arrangement
7.6 Video randomization
7.7 Outer error protection
7.8 Field data array
7.9 Order of transmission to inner coding
8 Audio processing
8.1 Introduction
8.2 Source coding
8.3 Source processing
8.3.1 Introduction
8.3.2 Relative audio-video timing
8.3.3 Audio data in fields
8.3.4 Intra-field shuffling
8.3.5 Block shuffling
8.3.6 Audio data word processing
8.4 Auxiliary words
8.4.1 Channel use (CHAN)
8.4.2 Pre-emphasis (PREF)
8.4.3 Audio data word mode (LNGH)
8.4.4 Block sync location (S MARK)
8.4.5 Field number count (FNCT) for 525/60 system
8.4.6 Edit flag (EFLG)
8.5 Outer error protection
8.6 Inner protection
8.7 Order of transmission to inner coding
8.8 Channel coding
8.9 Allocation of audio sectors
9 Longitudinal tracks
9.1 Relative timing
9.1.1 Time and control code input
9.1.2 Time and control code information
9.1.3 Cue information
9.1.4 Control track servo pulse
9.2 Control track
9.2.1 Method of recording
9.2.2 Servo reference pulse
9.2.3 Flux polarity
9.2.4 Flux level
9.2.5 Pulse width
9.2.6 Servo reference pulse timing
9.2.7 Colour frame pulse
9.2.8 Video frame pulse
9.3 Cue record
9.3.1 Method of recording
9.3.2 Flux level
9.4 Time and control code record
9.4.1 Method of recording
9.4.2 Flux level
9.4.3 Input signal
Figures
Annex A (normative) Tape tension
Annex B (normative) Cross-tape track measurement technique
Annex C (normative) Track pattern during insert editing
Annex D (informative) Video signal processing
Annex E (informative) Manufacturer
Annex F (informative) Bibliography
Annex ZA (normative) Normative references to international
publications with their corresponding European
publications
Specifies the electrical and mechanical characteristics of equipment allowing the interchangeability of 12.65 mm cassettes containing digitally recorded component video programmes.
DevelopmentNote |
For CENELEC adoptions of IEC publications, please check www.iec.ch to be sure that you have any corrigenda that may apply. (01/2017)
|
DocumentType |
Standard
|
Pages |
310
|
PublisherName |
National Standards Authority of Ireland
|
Status |
Current
|
Standards | Relationship |
SN EN 61835 : 1998 | Identical |
NF EN 61835 : 1999 | Identical |
EN 61835:1998 | Identical |
IEC 61835:1998 | Identical |
DIN EN 61835:1999-05 | Identical |
NBN EN 61835 : 1999 | Identical |
BS EN 61835:1998 | Identical |
IEC 61179:1993 | Helical-scan digital composite video cassette recording system using 19 mm magnetic tape, format D2 (NTSC, PAL, PAL-M) |
IEC 60050-806:1996 | International Electrotechnical Vocabulary (IEV) - Part 806: Recording and reproduction of audio and video |
IEC 60735:1991 | Measuring methods for video tape properties |
SMPTE ST 125 : 2013 | SDTV COMPONENT VIDEO SIGNAL CODING 4:4:4 AND 4:2:2 FOR 13.5 MHZ AND 18 MHZ SYSTEMS |
IEC 61327:1995 | Helical-scan digital composite video cassette recording system using 12,65 mm (0,5 in) magnetic tape - Format D-3 |
HD 507 : 200S1 | TIME AND CONTROL CODE FOR VIDEO TAPE RECORDERS |
IEC 60958:1989 | Digital audio interface |
SMPTE ST 259 : 2008 | TELEVISION - SDTI DIGITAL SIGNAL/DATA - SERIAL DIGITAL INTERFACE |
EN 61179:1993 | Helical-scan digital composite video cassette recording system using 19 mm magnetic tape, format D2 (NTSC, PAL, PAL-M) |
SMPTE RP 155 : 2014 | REFERENCE LEVELS FOR ANALOG AND DIGITAL AUDIO SYSTEMS |
IEC 60461:2010 | Time and control code |
SMPTE EG 21 : 1997 | NOMENCLATURE FOR TELEVISION DIGITAL RECORDING OF 19-MM TYPE D-1 COMPONENT AND TYPE D-2 COMPOSITE FORMATS |
EN 60958:1990/A2:1995 | DIGITAL AUDIO INTERFACE |
IEC 60050-807:1998 | International Electrotechnical Vocabulary (IEV) - Part 807: Digital recording of audio and video signals |
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