SMPTE RP 200 : 2012
Current
Current
The latest, up-to-date edition.
RELATIVE AND ABSOLUTE SOUND PRESSURE LEVELS FOR MOTION-PICTURE MULTICHANNEL SOUND SYSTEMS - APPLICABLE FOR ANALOG PHOTOGRAPHIC FILM AUDIO, DIGITAL PHOTOGRAPHIC FILM AUDIO AND D-CINEMA
Published date
12-01-2013
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Describes a measurement method and wide-band sound pressure levels for motion-picture dubbing theatres, review rooms, and indoor theatres using steady state wideband pink noise methodology.
DocumentType |
Standard
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PublisherName |
Society of Motion Picture and Television Engineers
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Status |
Current
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BS ISO 22234:2005 | Cinematography. Relative and absolute sound pressure levels for motion-picture multi-channel sound systems. Measurement methods and levels applicable to analog photographic film audio, digital photographic film audio and D-cinema audio |
01/712782 DC : DRAFT OCT 2001 | ISO/DIS 22234 - CINEMATOGRAPHY - RELATIVE AND ABSOLUTE SOUND PRESSURE LEVELS FOR MOTION-PICTURE MULTI-CHANNEL SOUND SYSTEMS - MEASUREMENT METHODS AND LEVELS |
07/30170897 DC : DRAFT AUG 2007 | BS ISO 26432-2 - DIGITAL SOURCE PROCESSING - PART 2: DIGITAL CINEMA (D-CINEMA) LOW FREQUENCY EFFECTS (LFE) CHANNEL AUDIO CHARACTERISTICS |
ISO 22234:2005 | Cinematography — Relative and absolute sound pressure levels for motion-picture multi-channel sound systems — Measurement methods and levels applicable to analog photographic film audio, digital photographic film audio and D-cinema audio |
SMPTE ST 2095-1 : 2015 | CALIBRATION REFERENCE WIDEBAND DIGITAL PINK NOISE SIGNAL |
ISO 26432-2:2008 | Digital source processing — Part 2: Digital cinema (D-cinema) low frequency effects (LFE) channel audio characteristics |
BS ISO 26432-2:2008 | Digital source processing Digital cinema (D-cinema) low frequency effects (LFE) channel audio characteristics |
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